Get eight freinds together and try it.
If you practice only a few hours, you should start having at the very
least an awesome choral group. And if you go on for a while,
you should start making transitions into Theta states of consciousness.

This is called Glossolia.
It is a reconstruction based on an intrinsic understanding of several
key principles about how mind works. I won't try to explain why it works,
I will just tell you that it does.
(after you have tried it and want to understand it, come on back to me
once you have the experience that will make my explanation make sense to you.)




The internal dialogue structure of Theta States of consciousness is harmonic-
musical. We know this as people often experience "hearing a chorus of Angels"
when a Theta condition is induced.

Drumbeats at the same cycles per second as a given state are powerful cues
that can help us to enter altered states of consciousness.

The following is a methodology for entering Theta states of consciousness, designed
by yours truly.




prometheuspan
4/19/2001 4:28 PM 3 out of 31


Trybl Vortx Part Two, The Prequal.

Drummers Parlance.

In theory, the Trybl Vortx system by itself should work fine.
It is an absolute
description of the variables involved, and a total solution.
In practice,
singing like angels is too hard.
The requisite skill, or understanding involved
is too far removed from human experience.

Thus, we have "Drummers Parlance", Both a pre-quel game, and a description of a
very specific form of communication.
Drummer's parlance is simply the communication verbally of a pattern or
patterns, which can then receive tonal or musical counterparts. Drummers'
parlance in the strictest sense is non-tonal, or rhythm only. Sounds are
representations of various durations of time.

The duration of time covered by a "A" is a .1 amount of time. The duration of a
"Ta" is.2 duration of time. The duration of a "Ka, or a "Te" is also a .2
representation of time. Then a "Toom" is a .3 duration of time. These
definitions can be stretched, but the general idea is there.

Then, those kinds of syllables are arranged to count time in pattern. The
pattern repeats, and that is what gives us a "Full measure" of time.

For instance:


Tecka Tecka Toom Toom Te Ka Toom Ta La Toom Teck Teck Ta Ta

Tecka Toooma Tecka Ta Te Ka Ta Tooma la Teck Toom Teck la

Ta Tecka Ta Toom Ta Ta Ta La Tecka Tecka Ta Tooma Ta Ta Ta

Toooma Toooma Ta Ta Ta Toom Ta Toom Ta La La Ta Tooma Ta La

Elata Ta Lata Eee La Ta Ee Lata Tooma Ala La Ee La Tecka Tecka

Tee Tooma Tee Tooma Ta Ta Tecka Tooma Elata Tao Teck Toom Tecka Tao

Ticka Ticka Tock Tao Ticka Tooma Tock Toom

Tick Tock Tao Tao Ticka Tao Tecka





prometheuspan
4/19/2001 4:30 PM 4 out of 31
--- editing note; this was actually cut by the hosting site, and some information is missing
here, but its probably fine without it.---------------------------------------------


This gets us to 29. I am going to go with the idea that you get my point
before
I count to a thousand.
The point is that we have now created 100 "phrases" if we count that high,
which
are one or two beats long. The Lengths of the various beats is variable and
is
the most interesting part of all of this. If we say that it all just goes
from 1
to ten, then Tao-Aum is 13 counts. Rhythms we feel comfortable with are
at their
simplest 3 beats long. The heartbeat is Ta-silence-Doom. More complex rhythms
go
up into the 20 beat range but not much higher. Any set pattern should repeat

within 20 beats or the human mind won't be able to comprehend it.
Tecka Tecka Toom Toom is six beats, and in the time of the second exploration,
4,1,4,1,5,5 counts long. 20 counts. A pattern at 23 beats;
Tecka Tecka Toom Toom Elati Tati Toom Toom Tecka Tecka Elati Tati Toom.

With a count of 4,1,4,1,5,5,2,1,2,2,2,2,5,5,4,1,4,1,1,2,2,5 for sub- total of
10, 10,11,10,10,10. And a total of 61 counts.

So the point of all of this is to get a mental picture of what is possible for
different kinds of rhythm patterns.
The Idea of drummers parlance is that I should be able to say to a drummer,
"Give me: Tecka Tecka Toom Toom, Elati Tati Toom Tao" And have them go, "Give
that to me three times." And I Go "Tecka Tecka Toom Toom, Elati Tati Toom Tao
Tecka Tecka Toom Toom, Elati Tati Toom Tao Tecka Tecka Toom Toom, Elati Tati
Toom Tao Tecka Tecka Toom Toom, Elati Tati Toom Tao" And Then They are doing
it
with me, and it sounds good, because we are both in the same pattern.
Then, I can play my flute inside of the pattern of the drummer, and the next
thing you know, we sound like a rocking duet.

That's only part one of Drummers parlance and it's the most interesting half.
The other half is even more annoying and more like an exercise but it really
works.
This other half is basically as simple as "counting time."

123123123123123123123123123123123
123,123,123,123,123,123,123,123,123
12341234123412341234123412341234
1234,1234,1234,1234,1234,1234,1234,
12345, 12345,12345,
12,1234,123,123,1234,
123,12,123,1234, 12,
And so forth on and on into infinity.

By learning Drummers Parlance, we are learning to think in the kinds of patterns
that we have to use later on in Tick Tock Tao.





prometheuspan
4/19/2001 4:31 PM 5 out of 31


The rest becomes a question of what you are trying to express.
The answer is of
course that you are trying to express an emotion,
which is really just a state
of consciousness.
Realizing this, we are looking at 4 states of consciousness,
and realizing that certain tempos,
beats, and tones describe each of these
states. Thus, music can be created specifically to harmonize the individual
into
a given state of consciousness.
(But this hasn't been done as far as I know yet, only frauds have tried it,
people who had no real understanding of states of consciousness, or not
enough
skill.)

Where do we go from here? We start a pattern, and we show how any such
pattern
evolves musically and harmonically,
how slow beats have within them the seeds of
faster beats and how fast beats are tied to slower beats.
Using the eight roles,
any given pattern can become a total song.

The entire process is in a sense best accomplished in a large group of people.
The 4 track is a great tool, but we don't have 20 earphones
and 20 plug-ins for
those earphones for 20 people to participate in recording.
So we get the people
singing first, and then once we are really rocking we make our first sample
recording. Then, if we want to, we take that to the 4 track and add in whatever
we want to. Since we don't have 20 people, the best thing to do is to go with as
many as we can get.
The main thing is that everybody has to do his or her homework.
They have to get
a real sense of what we are doing away from it all.
They have to actually read
the form. Otherwise it's just playing around.
The other thing is we have to have
an understanding that we approach things from a very serious level at first.
Sure it leads into fun, but without focus it disintegrates into noise.
I'd love to be able to hang out for 60 years and play with everybody, but I
can't afford to. What has to happen instead is people have to take responsibly
and seriously the information I am giving them for 30 minutes at a time a few
times a week, and then in a week or two it will be the Angelic Choir.
And then we can release the forms and the structure as just a tool that got us
to the place of being able to play at a more sophisticated level.

Thank you for your time and energy. May peace love and light win within us all.
PrometheusPAN





prometheuspan
4/19/2001 4:32 PM 6 out of 31


>TRYBL VORTX (Part One)
Tick Tock Tao
Is a specific form for improvisational singing with a group of people.
Using
this structure, We move from simple to complex, with each individual
adding
another level of complexity. By attuning very specifically to the pattern
as it
all ready exists, we evolve the pattern without loosing each other.
Thus we can
be together as long as we use the structure.

The Idea here is that we have modeled the timing and harmonics relationships
that naturally exist with each other, and come up with "parts" or "roles"
that
reflect these relationships. Then, we model the natural evolutionary path
of a
pattern, as it moves from complexity to simplicity, and we find that in
essence,
these roles have an order to them in terms of who follows who and what
follows
what.

In reality Tick Tock Tao is thus nothing new. It is simply a way of
organizing
things that are well understood all ready. When we look at Tribal
cultures all
over the world (or what is left of them after being effected by the global
hive...) We find that they have very specific formats for social
interaction in
different states of consciousness. Whereas we, the global hive,
have protocols
structure or format for existing in only one state of consciousness.

The words "Tick Tock Tao" are culled from inside of a trance space.
The entire
sequence was at one time used as a trance cue to enter a specific state of
consciousness. The meaning of the words is as follows. Tick refers to time.
Visualize a clock. Music is all about time and timing relationships.
Rhythm is
in a sense just various ways of counting time.
Tock has a double meaning, including Talk. Talking, communicating.
Tick Tock Tao
is a way of learning to communicate musically, rather than a way of creating
entertainment. We try to treat music from the very different perspective of the
shaman. We have two hemispheres in our brain, and one side is verbal while the
other is musical. The fact of our attunement to pitch and the ability of our
voices to sing indicates that at one point in time in human history, we sang to
each other as a form of communication
I have taken this presupposition one step further, and have tried to understand
how music can be used as a genuine shamans tool for facilitating altered states
of consciousness. Specifically, in Theta states of consciousness, Those states
associated with spiritual experience and perception of subtle levels of reality,
we can expect the human animal to have communicated musically, rather than
phonetically. The reason is simple and is about personal experience.
In Deep Theta states, the energy of the electrical impulses in the brain comes
into phase. Millions of signals that in Beta states of consciousness are just
going off in their own way in their own time and their own direction all
suddenly come together "in phase" or in harmony. The hum that is experienced is
audible to the ear, as the electrical output of the brain no longer scatters
itself in patterns of interference but amplifies itself in patterns of sustained
harmony.




prometheuspan
4/19/2001 4:33 PM 7 out of 31


Tao refers to the idea that we are indeed changing our state of consciousness
through the use of this exercise. Specifically, we are moving from the yang
waking state to the yin waking state. Thus, the Tao of consciousness is
spinning.


The entire poem:
"Tick Talk Tao" said the Druid to the Drow,
"Be here now and keep your vow to remember.
Do you remember, before you were born?
Leaping through the barley and dancing in the corn?"

"Tick Tock Tao" Said the Faery in the Tree
To the Cave monk sentinel of the cave monk Key
"It's the birds and the bees and the omens I see
That opens the portal of perception to me.

(The poem is an instruction for the ego wall to disintegrate allowing the memory
of pre-mortal existence to come into consciousness.)

Drummers Parlance
Tick, Tock, Ti, Ta, Tia, Ticka, Tocka, Toom, Tooma, are all sounds that are used
in verbal communications of drummers' patterns. This is called "Drummers
Parlance" and is a reality model that was presented to me by a master drummer.
The drumming in the community in which I was operating vastly improved as he
introduced the idea to us.

The Essential Idea
The idea is simple. We can communicate the drum patterns verbally and
phonetically. If we can't do that, we shouldn't be drumming. (At least according
to him.)
The reason is that verbal and phonetic communication proves that understanding
exists about pattern. Otherwise there isn't necessarily and in fact true
understanding. Most drum circles are very chaotic and a-synchronized to the
trained ear.

Instructions
In Tick Tock Tao, there are eight roles. The roles are organized into "Alpha"
and "Beta." Which means "Leader" and "follower." (To some degree. As you will
see, the relationship between Alpha and Beta oftentimes gives the Beta more
freedom and more responsibility too.) The role types are Aummer, Drummer,
Singer, and Whisperer.
These roles represent the natural evolution of pattern. We go from tone, to
rhythm, to song, and out away from order into chaos. Thus, the Aummers start,
and are given time to warm up, then the Drummers Start, and are given time to
warm up, then the singers start, and are given time to warm up, and then the
whisperers start. Nobody is really waiting for them, at least not until level
two.
The Whisperers have a special role. They perform slowly the evolutionary path
of all three other types of roles. When they finish, if the groove is still
going, the Aummers become Whisperers. They get to drum, and then sing, adding
their own parts to the more
>




prometheuspan
4/19/2001 4:35 PM 8 out of 31



complex pattern. Once the Aummers have been singing for a while, The drummers
should feel free to sing also.
In this way, the pattern evolves into complexity.
On the other hand, especially while we are learning how to do Tick Tock Tao,
what will often happen is that the pattern will start to break apart. The
Whisperers are the pattern police. If the pattern starts to fly apart, their job
is to make sure that it flies apart completly, blows itself open wide, and thus,
the energy is released.
Even really rocking grooves must eventually come to an end, and it is the
whisperers job to raise the energy out into chaos and celebration. That way a
new groove can start.

I have written role cards to make this very easy. Each person receives a role
card. (If there are more than eight people, buddy up with the person next to
you, unless that person is a singer, in which case, play drummers.)

Tick Tock Tao in the most formal sense does things the hard way by going from
toning to rhythm. It may be easier to start out with a simple pattern of some
kind.



Alpha Aummer
Everything begins with you. You breathe deep and hold a base tone.
For three full breaths, The Beta Aummer matches you. The Beta Aummer Tones the
same tone exactly, and covers you while you breathe. Then The Beta Aummer picks
a new tone, and the two of you take turns. When the drumming starts, you will
begin oscillating between the first tone and the second tone, for the duration
of a full measure. For instance, the drummer will say
"Ticka Ticka tocka teck toom tock
doon" The drummer will do this over and over, and you will tone for the duration
of that pattern a single tone and then another single tone, back and forth. As
things evolve, you can bring in more single tones for the full measure of that
pattern. Eventually, once the singers are really going, you can chop the pattern
into smaller chunks and tone for the duration of those.
Your part may be boring for you, but remember, you are helping everyone else
keep time.
In level two of the game, you will pass your card on and receive a new card, and
a new role. Maintain your old role until you fully understand your new role.
Then switch roles.
Remember to listen to the tone the Beta Aummer gives you, and try to take turns
breathing and toning with them. (Take your breathe on a given beat.)



Beta Aummer.
You will listen to the alpha aummer, and support them by mimicking what they do
exactly at first. However, you will soon begin to take turns breathing, and as
you explore that single first tone that the song is based on, you will choose
personally a second new tone that is 5 or seven or nine or some number that works
well distant from the first tone in terms of whole notes. (Thus forming a sort
of master structure of high note and low note between the two of you.)
You should probably consider range here as the most important factor, the alpha
aummer is going to pick a tone that is comfortable for their voice. You are going
to match that tone exactly, or find a resonance with it an octave below or above.
When you change over to a new tone, you want to be in a place that is comfortable
for your voice.
In the first level of the game, i am sorry to say that your role may be somewhat
dull for you, as you will simply take turns going back and forth with the alpha aummer,
one of you breathing deeply in while the other Aumms.
However, be assured that you are holding the root of the experience together and
that you give the structure the stability it needs. Everybody is listening to the two
of you to keep time by.

Alpha Drummer.
You will pick the primary beat structure for the song. You will chop the two tones
each into several peices, listening to both the alpha and beta aummers. To do this
it may help to closely reveiw the preveiw material for the exercise regarding beat
structures. The two Aummers are going to create a whole phrase going back and forth
between them;
"AUMMMMMMMMMMM, aummmmmmmmmmmmmm"
your response, for instance, might be;
"teka teka ta ta, teka teka tooma"
You want to keep it pretty doable and not very complicated, a sort of slower beat, so that
the beta Aummer can add in a faster version of what you are doing with more syllables.


Beta Drummer.
You will listen to the alpha aummer, and notice that the beat is kind of slow. You may be
pciked for this job because you are found to be really good at drumming. This is
a key role and one thats easy to make a mess of, so it is important to be on it.
You have on the other hand one of the funner roles. You get to chop the longer beat
into several more beats, in the above example,

the aummers are doing a
"AUMMMMMMMMMMMMMMMMMMM, aummmmmmmmmmmmmmmmmm"
alpha drummer response, for instance, might be;
"teka teka ta ta, teka teka tooma"
your response might be;
"teketititeka tati tati tekati tekatiti toomata"



prometheuspan
4/19/2001 4:39 PM 10 out of 31


Alpha Singer
You listen to the Alpha Drummer, whose pattern is slower than the beta drummer.
You listen to the tones created by the Aummers. You Mimic the Alpha drummer
until you are sure you have the pattern. Then, you begin to add tones. Your
first tone should be the same as the alpha Aummers, and your last tone should be
the same as the beta Aummer. Next, you fill in that rhythm with tones. You
create a song that becomes the master tonal pattern. If level two is achieved,
your choices become the
Underlying pattern that everyone else follows in the creation of song.
Remember that you are listening to two elements and blending them. You are
listening to the rhythm first, to pick it up, and then to the tones the Aummers
are using, so that it all stays in harmony and key.
Synthesizing these two levels is the hardest job in Tick Tock Tao and one that
it can't work without. If you end up feeling overwhelmed by the task,
Switch roles with somebody else.
The difficulty of this job is made easier in that your song is with the slow
beat, not the fast one. This is very key to your success. Pay attention only to
the Alpha Drummer,
Not the Beta Drummer.


Beta Singer
You listen to the Alpha Singer. They will be singing a slow song. You mimic
their song until you are certain that you have it. You will notice that they are
in beat with the alpha drummer and in tone with the Aummers. Put your attention
next on the Beta Drummer, who is your pal. They are doing a beat that is faster
than the Alpha Drummer. Separating yourself now psychologically from the alphas,
follow the same pattern you have but bring more beats into it and evolve it so
that it is in time with the faster tempo.
This skill is all about taking the singing pattern and adding "flams" and
"perks' to it. If the long pattern is going "Teck Tooma" while the fast pattern
is going "Elata Ladoonta"
Then you are simply adding two syllables. Maybe its "TaTaTa Tooma
Tecka Tooma" for the fast pattern. Now you are essentially multiplying two by
three, three syllables for each of the main two.
Each Of the Alpha singers tones becomes the base note in a chord.
You are filling in the rest of the notes to form a whole chord.

Whisperers
As a Whisperer you mimic the Aummers. This is your chief job, but of all the
jobs, your job changes the most. If the pattern makes it to a full on groove,
with the beta singer completely in for a while, you go ahead and begin to evolve
along the path. Spending time now slowly with each of the other roles, you mimick
each of the others in turn until you arrive back at your own space after the beta singer.
this re-enforces the assorted roles, you act as a sort of back up singer that
helps hold the groove together. Your job over all is actually the role of the
mechanic, if somethings a little off, your job is to attempt to fix it. But if its
unfixable, your job is to scrap it for a new start.
Other than that, you also get the fun job of adding interest. Animal noises,
poetic babble, (actual language engades the verbal mind and should be totally avoided
for the entire exercise) and other such things are the spices you can throw in for
emphasis and variety.
The Alpha whisperer should focus on the alpha roles and the beta whisperer should focus on
the beta roles.




------------------------

This all applies to telepathy rather directly, as the art of MIMICKRY that you have to employ,
of listening to the group, of not letting your ego interere, but rather,
giving over to the true center, these are all the same skills you need for telepathy.

Further, if you attain theta this way, in a social environment, two things will happen.
1. You will be able to hear the angelic choir
2. You will have limited telepathy with the people you are doing it with.

Good luck.
If ANYBODY actually takes me seriously and does it, you could have profound
results in only the next few hours.

I have for myself eight cards, on which I have the eight roles written down.

Thats a great way to go, as then you can switch roles without even talking about it.




DJ43
4/20/2001 11:40 AM 12 out of 31

I take you quite seriously, and I am going to have to print these posts out so that I have them
permanently.
However, it will be days before I can attempt to do the actual process, not a few hours, sorry.
Thank you for so much detail.
One question, just so I am clear, I need to be sure to gather seven people together,
or may it be a number less than eight including myself?
Respectfully,
Denise



Prometheuspan
4/20/2001 9:34 PM 13 out of 31

There are eight roles in the game as described, I think about four is the bare
essential absolute minimum. There is no real maximum,
but you will have to work out organizing it yourself.

You can easilly have two or three people fill each role.
Group them together of course, and make sure they follow each other.

Best of luck!!

And thank you so very much for getting to it at all!!

The real take off for this area will be the results you achieve.
two more weeks for the area and counting...



iammeinabody
4/21/2001 3:30 PM 14 out of 31

Thanks for the info. It clarified some experiances and gives me something to work on.
I'm having a great time trying to keep up on all this.
Now I just need to expand time so to include practice. K



prometheuspan
4/21/2001 3:52 PM 15 out of 31

yes, but does anybody have any questions